求卢浮宫内藏品的详细英文介绍~~急~~~
kuaidi.ping-jia.net 作者：佚名 更新日期：2024-07-11
分类: 外语/出国
问题描述:
别从卢浮宫的官网直接Down下来给我
解析:
里面著名的作品太多.只能详细介绍五个.其它就罗列一个表.
1.Mona Lisa, or La Gioconda (La Joconde), is a 16th-century oil painting on poplar wood by Leonardo da Vinci, and is, perhaps, the most famous painting in Western art history or even the world. Few other works of art are as romanticised, celebrated, parodied or reproduced. It is owned by the French government and hangs in the Musée du Louvre in Paris.
The painting shows a woman looking out at the viewer with what is described as an "enigmatic *** ile".
biocrawler/encyclopedia/Mona_Lisa
2.
The Virgin and Child with St. Anne
The Virgin and Child with St Anne
Leonardo da Vinci, circa 1508
oil on wood, 168 × 112 cm
Musée du Louvre
The Virgin and Child with St Anne is an oil painting by Leonardo da Vinci depicting St Anne, her daughter the Virgin Mary and the infant Jesus. Christ is shown grappling with a sacrificial lamb symbolising his Passion whilst the Virgin tries to restrain him. The painting was missioned as the high altarpiece for the Church of Santissima Annunziata in Florence and its theme had long preoccupied Leonardo.
In 1498, Leonardo probed into incorporating these figures together by drawing the Burlington House Cartoon (National Gallery, London), which included all three figures in addition to an infant St John the Baptist. An earlier cartoon exhibited in Santissima Annunziata in 1501 is now lost.
Ultimately, this painting would emerge during the later years of his life, when he was occupied with an interest in mathematics and other pursuits, its rocky landscape betraying his interest in geology. The demands of his other interests may have forced him to leave this painting inplete.
In addition to the symboli *** of Christ playing with the lamb discussed above, Fra Pietro da Novellara, a Vice General of the Carmelite Order, saw a further layer of symbolic significance to the painting. He believed that St Anne's serene expression, in contrast with Mary's anxiety for her child, "perhaps stands for the Church that does not want to have the Passion of Christ prevented".
The painting's pyramidal structure influenced Raphael and Andrea del Sarto. Its position inspired o High Renaissance sculptures, one by Andrea Sansovino (S. Agostino, Rome) and another, less successful work by Francesco da Sangallo (Orsanmichele, Florence).
3.
The Virgin of the Rocks and Madonna of the Rocks are terms used to describe three different paintings with almost identical positions. There are separate accounts over which of the paintings are verifiably Leonardo da Vinci's.
Alexandros of Antioch was an otherwise unknown master of the Hellenistic age who is most well known today for the Venus de Milo (Aphrodite of Milos) at the Louvre Museum in Paris, France.
He is known from an inscription from a now missing plinth to have been the son of Menides who was a citizen of the city of Antioch on the Maeander. The plinth was originally part of the Venus de Milo but was removed and "lost" due to museum politics and national pride at the Louvre Museum in the 1820s.
The inscription and the style of its lettering cast into doubt the claim that the statue was an original by the master sculptor Praxiteles from Attica.
Alexandros appears to have been a wandering artist who worked on mission. According to inscriptions at the ancient city of Thespiae, near Mount Helicon, in Greece, he was also a winner in contests for posing and singing. The inscriptions date to around 80 BCE.
Alexandros is also thought to have sculpted a statue of Alexander the Great that is also displayed at the Louvre Museum. This statue was discovered at the Greek island of Delos.
His dates of birth and death are unknown.
4.
The Winged Victory of Samothrace, also called Nike of Samothrace, is a marble sculpture of the Greek goddess Nike (Victory), discovered in 1863 on the island of Samothrace (Greek: ∑αμοθρακη, Samothraki) by the French consul and *** archaeologist Charles Champoiseau. The statue is now displayed in the Louvre in Paris while a plaster replica stands in the museum at the original location of the Sanctuary of the Great Gods on Samothrace.
In Greek the statue is called the Niki tis Samothrakis (Νίκη της ∑αμοθράκης) and in French La Victoire de Samothrace.
Numerous copies exist in museums and galleries around the world; one of the best-known copies stands outside the Caesar's Palace casino in Las Vegas. The Rolls-Royce radiator figurine, Spirit of Ecstasy, was also based on the Nike of Samothrace.[1]
The Victory is one of the great surviving masterpieces of sculpture from the Hellenistic period, despite the fact that the figure is significantly damaged, missing its head and outstretched arms. By an unknown artist, (presumably Rhodian in origin), the sculpture is thought to date from the period 220-190 BCE (though some scholars date it as early as 250 BCE or as late as 180 BCE). Certainly, the parallels with figures and drapery from the Pergamon Altar (dated about 170 BCE) seem strong.
A partial inscription on the base of the statue includes the word "Rhodhios" (Rhodes), indicating that the statue was missioned to celebrate a naval victory by Rhodes, at that time the most powerful maritime state in the Aegean. The Samothrace Archaeological Museum, however, says that the statue was an offering donated by the Macedonian general Demetrius I Poliorcetes after his naval victory at Cyprus. This would date the statue to 288 BCE at the earliest.
Originally located in a niche in an open air amphitheatre, the sculpture probably served as an altar, within view of the preserved ship of Demetrius I Poliorcetes and its elaborate protective building. The statue stands on the prow of a ship, representing the goddess as she descended from the skies to the triumphant fleet. Rendered in white Parian marble, the figure (height 3.28 m / 10.7 ft, including the wings) originally formed part of the Sanctuary of the Great Gods. Before losing her arms the Nike was probably blowing a victory paean on a trumpet, as shown on coins. The prow is made of grey marble from Lartos.
The Winged Victory of Samothrace, side viewThe statue has been reassembled in stages since its original discovery in 1863. The prow was rediscovered by Champoiseau in 1879 and reconstructed in situ before being shipped to Paris. The right wing is a symmetric plaster version of the original left one. Various other fragments have since been found: in 1950 one of the statue's hands was found on Samothrace and is now in a glass case in the Louvre next to the podium on which the statue stands. Neither the arms nor the head have been found.
The statue shows a mastery of form and movement which has impressed critics and artists since its discovery - it is particularly admired for its naturalistic pose and rendering of the figure's draped garments, depicted as if rippling in a strong sea breeze. It soon became a cultural icon to which artists responded in many different ways. When Filippo Tommaso Mariti issued his Futurist Manifesto in 1908, he chose to contrast his movement with the supposedly defunct artistic sentiments of the Winged Victory: "A screaming automobile that seems to run on grapeshot is more beautiful than the Winged Victory of Samothrace."
The Victory is one of the Louvre's greatest treasures, and it is today displayed in the most dramatic fashion, at the head of the sweeping Daru staircase. The loss of the head and arms, while regrettable in a sense, is held by many to enhance the statue's depiction of the supernatural. The different finishing of the sides has led to think that it was intended to be seen from three-quarters on the left.
This statue was a favorite of Frank Lloyd Wright and he used reproductions of it in a number of his buildings, including Ward Willits House, Darwin D. Martin House and Storer House.
5.The "Aphrodite of Milos" otherwise known as the Venus de Milo is an ancient Greek statue and one of the most famous of the art of ancient Greek sculpture. It is believed to depict Aphrodite (called Venus by the Romans), the Greek goddess of love and beauty. It is a marble sculpture, slightly larger than life size at 203 cm (80 inches) high, but without its arms or its original plinth. From an inscription on its now-lost plinth, it is thought to be the work of Alexandros of Antioch; it was earlier mistakenly attributed to the master sculptor Praxiteles
13th to 15th century
The Madonna and Christ Child enthroned with angels, Cimabue (about 1270)
Saint Francis of Assisi receives the stigmata, Giotto (about 1290-1300)
Portrait of John II the Good, anonymous (about 1350). Acquired by Louis XV, part of the royal collection
The Virgin with Chancellor Rolin, Jan van Eyck (about 1435). Seized in the French Revolution (1796)
Portrait de Charles VII, Jean Fouquet (1445-1448). Bought in 1838
The Condottiero, Antonello da Messina (1475). Bought in 1865
St. Sebastian, Andrea Mantegna (1480)
Ship of Fools, Hieronymus Bosch (1490-1500)
Self-Portrait with flowers, Albrecht Dürer (1493). Bought in 1922
16th century
Mona Lisa, Leonardo da Vinci (1503-1506), acquired by Francis I in 1519
The Virgin and Child with St. Anne, Leonardo da Vinci (1508)
The Virgin and Child with Saint John the Baptist, called la Belle Jardinière, Raphael (1508). Belonged to the royal collection, acquired by Francis I
Portrait of Balthazar Castiglione, Raphael (about 1515), acquired by Louis XIV from the estate of Mazarin
The Wedding at Cana, Paolo Veronese (1562-1563). It hung 2.5 metres from the floor in the San Giio Maggiore monastery for 235 years, until it was plundered by Napoleon in 1797
17th century
Saint Joseph charpentier, Gees de la Tour (1642), donated in 1948
The club foot, Joseph de Ribera (1642), bequeathed in 1869
The pilgrims of Emmaus, Rembrandt (1648), seized in the French Revolution in 1793
Le young mendicant, Murillo (about 1650), bought by Louis XVI about 1782
Bathsheba at Her Bath, Rembrandt (1654, bequeathed in 1869
Ex Voto, Philippe de Champaigne (1662), seized in the French Revolution in 1793
The Lacemaker, Johannes Vermeer, (1669-1670), bought in 1870
Et in Arcadia ego, Nicolas Poussin (1637-1638)
18th century
Portrait of Louis XIV, Hyacinthe Rigaud (1701)
The Embarkation for Cythera, Antoine Watteau (1717)
La Raie, Jean-Baptiste-Siméon Chardin (before 1728)
Oath of the Horatii, Jacques-Louis David (1784)
Master Hare, Joshua Reynolds (1788-1789)
[
19th century
Bonaparte visitant les pestiférés de Jaffa, Antoine-Jean Gros (1804)
The Raft of the Medusa, Théodore Géricault (1819)
Liberty Leading the People, Eugène Delacroix (1830)
The Turkish bath, Ingres (1862)
en. *** /wiki/Louvre
求卢浮宫内藏品的详细英文介绍~~急~~~
答：别从卢浮宫的官网直接Down下来给我 解析: 里面著名的作品太多.只能详细介绍五个.其它就罗列一个表. 1.Mona Lisa, or La Gioconda (La Joconde), is a 16th-century oil painting on poplar wood by Leonardo da Vinci, and is, perhaps, the most famous painting in Western art history or even the w...
卢浮宫英文介绍(高中版)
答：The Louvre Museum is the largest national museum of France. It is a central landmark of Paris, located on the Right Bank of the Seine in the 1st neighborhood. Nearly 35,000 objects from prehistory to the 19th century are exhibited over an area of 60,600 square meters.The muse...
急求 法国卢浮宫的英文介绍
答：卢浮宫藏品丰富,件件称得上是艺术珍宝,为历代帝王以及宫廷艺术家等所重视这些藏品分门别类,由专门的部门管理。卢浮宫内还有许多藏品目录和小册子,向游人作介绍。随着藏品的增多,其“领地”也不断扩张……。罗浮宫博物馆的收集被七个 curator 的部门管理。埃及的古物部在 1826 年被形成学习而且显示在埃及的拿破仑的活...
介绍法国卢浮宫的英语短文
答：卢浮宫是于1546年弗郎西斯一世在位时开始修建的。 * subsequent：“随后的”、“后来的”等意思。 * monarch：“君主”、“帝王”。据法国建筑师Pierre Lescot的修建计划所载，Francis I以后的每一位法国君主都对卢浮宫进行了增建。 Under Henry IV, in the early 17th century, the Grand Galerrie,...
能不能帮我找一篇关于卢浮宫的英文介绍
答：Louvre Louvre, (properly, Musée du Louvre), national art museum of France and the palace in which it is housed, located in Paris, on the right bank of the Seine River. The structure, until 1682 a residence of the kings of France, is one of the largest palaces in the ...
巴黎旅游景点介绍图片英文 法国景点英文介绍
答：巴黎的景点介绍:1、埃菲尔铁塔:埃菲尔铁塔建于1889年,为了纪念法国大革命100周年。站在三楼,可以看到战神广场(le Champ de Mars)、 夏约宫(le Palais de Chaillot)、香榭丽舍大街(les Champs-Elysées)、凯旋门(l'Arc de triomphe)。2、卢浮宫位于塞纳河边,常年展出3.5万件藏品,被分为东方古物、埃及、希腊、伊...
法国旅游景点介绍中英文 法国著名景点英文介绍
答：巴黎的景点介绍:1、埃菲尔铁塔:埃菲尔铁塔建于1889年,为了纪念法国大革命100周年。站在三楼,可以看到战神广场(le Champ de Mars)、 夏约宫(le Palais de Chaillot)、香榭丽舍大街(les Champs-Elysées)、凯旋门(l'Arc de triomphe)。2、卢浮宫位于塞纳河边,常年展出3.5万件藏品,被分为东方古物、埃及、希腊、伊...
莫高窟的英文介绍
答：莫高窟英文介绍如下：Mogao Grottoes, commonly known as the Caves of a Thousand Buddhas, is known as the most valuable cultural discovery of the 20th century and the "Louvre of the East".It is located in Dunhuang at the west end of the Hexi Corridor and is famous for its ...
求英文翻译,悬赏只有20了。大概150个字到200个字之间。不要直接拿百度...
答：My favorite museum The Louvre Museum is my favorite museum. It is the world's oldest, largest and most famous museums. For me, There is no where like the Louvre. I like the old buildings of Louvre , built in the days of Louis XIV. The new ones were built in the period ...
英文翻译
答：卢浮宫博物馆是世界三大博物馆之一，其艺术藏品种类之丰富、艺术价值之高令人难以想象。The Louvre is one of the world's three largest museums. The wealth of its collections and their artistic values defy imagination.defy imagination （成语） 难以想象 这是地道的 希望帮到了你，满意敬请采纳...
问题描述:
别从卢浮宫的官网直接Down下来给我
解析:
里面著名的作品太多.只能详细介绍五个.其它就罗列一个表.
1.Mona Lisa, or La Gioconda (La Joconde), is a 16th-century oil painting on poplar wood by Leonardo da Vinci, and is, perhaps, the most famous painting in Western art history or even the world. Few other works of art are as romanticised, celebrated, parodied or reproduced. It is owned by the French government and hangs in the Musée du Louvre in Paris.
The painting shows a woman looking out at the viewer with what is described as an "enigmatic *** ile".
biocrawler/encyclopedia/Mona_Lisa
2.
The Virgin and Child with St. Anne
The Virgin and Child with St Anne
Leonardo da Vinci, circa 1508
oil on wood, 168 × 112 cm
Musée du Louvre
The Virgin and Child with St Anne is an oil painting by Leonardo da Vinci depicting St Anne, her daughter the Virgin Mary and the infant Jesus. Christ is shown grappling with a sacrificial lamb symbolising his Passion whilst the Virgin tries to restrain him. The painting was missioned as the high altarpiece for the Church of Santissima Annunziata in Florence and its theme had long preoccupied Leonardo.
In 1498, Leonardo probed into incorporating these figures together by drawing the Burlington House Cartoon (National Gallery, London), which included all three figures in addition to an infant St John the Baptist. An earlier cartoon exhibited in Santissima Annunziata in 1501 is now lost.
Ultimately, this painting would emerge during the later years of his life, when he was occupied with an interest in mathematics and other pursuits, its rocky landscape betraying his interest in geology. The demands of his other interests may have forced him to leave this painting inplete.
In addition to the symboli *** of Christ playing with the lamb discussed above, Fra Pietro da Novellara, a Vice General of the Carmelite Order, saw a further layer of symbolic significance to the painting. He believed that St Anne's serene expression, in contrast with Mary's anxiety for her child, "perhaps stands for the Church that does not want to have the Passion of Christ prevented".
The painting's pyramidal structure influenced Raphael and Andrea del Sarto. Its position inspired o High Renaissance sculptures, one by Andrea Sansovino (S. Agostino, Rome) and another, less successful work by Francesco da Sangallo (Orsanmichele, Florence).
3.
The Virgin of the Rocks and Madonna of the Rocks are terms used to describe three different paintings with almost identical positions. There are separate accounts over which of the paintings are verifiably Leonardo da Vinci's.
Alexandros of Antioch was an otherwise unknown master of the Hellenistic age who is most well known today for the Venus de Milo (Aphrodite of Milos) at the Louvre Museum in Paris, France.
He is known from an inscription from a now missing plinth to have been the son of Menides who was a citizen of the city of Antioch on the Maeander. The plinth was originally part of the Venus de Milo but was removed and "lost" due to museum politics and national pride at the Louvre Museum in the 1820s.
The inscription and the style of its lettering cast into doubt the claim that the statue was an original by the master sculptor Praxiteles from Attica.
Alexandros appears to have been a wandering artist who worked on mission. According to inscriptions at the ancient city of Thespiae, near Mount Helicon, in Greece, he was also a winner in contests for posing and singing. The inscriptions date to around 80 BCE.
Alexandros is also thought to have sculpted a statue of Alexander the Great that is also displayed at the Louvre Museum. This statue was discovered at the Greek island of Delos.
His dates of birth and death are unknown.
4.
The Winged Victory of Samothrace, also called Nike of Samothrace, is a marble sculpture of the Greek goddess Nike (Victory), discovered in 1863 on the island of Samothrace (Greek: ∑αμοθρακη, Samothraki) by the French consul and *** archaeologist Charles Champoiseau. The statue is now displayed in the Louvre in Paris while a plaster replica stands in the museum at the original location of the Sanctuary of the Great Gods on Samothrace.
In Greek the statue is called the Niki tis Samothrakis (Νίκη της ∑αμοθράκης) and in French La Victoire de Samothrace.
Numerous copies exist in museums and galleries around the world; one of the best-known copies stands outside the Caesar's Palace casino in Las Vegas. The Rolls-Royce radiator figurine, Spirit of Ecstasy, was also based on the Nike of Samothrace.[1]
The Victory is one of the great surviving masterpieces of sculpture from the Hellenistic period, despite the fact that the figure is significantly damaged, missing its head and outstretched arms. By an unknown artist, (presumably Rhodian in origin), the sculpture is thought to date from the period 220-190 BCE (though some scholars date it as early as 250 BCE or as late as 180 BCE). Certainly, the parallels with figures and drapery from the Pergamon Altar (dated about 170 BCE) seem strong.
A partial inscription on the base of the statue includes the word "Rhodhios" (Rhodes), indicating that the statue was missioned to celebrate a naval victory by Rhodes, at that time the most powerful maritime state in the Aegean. The Samothrace Archaeological Museum, however, says that the statue was an offering donated by the Macedonian general Demetrius I Poliorcetes after his naval victory at Cyprus. This would date the statue to 288 BCE at the earliest.
Originally located in a niche in an open air amphitheatre, the sculpture probably served as an altar, within view of the preserved ship of Demetrius I Poliorcetes and its elaborate protective building. The statue stands on the prow of a ship, representing the goddess as she descended from the skies to the triumphant fleet. Rendered in white Parian marble, the figure (height 3.28 m / 10.7 ft, including the wings) originally formed part of the Sanctuary of the Great Gods. Before losing her arms the Nike was probably blowing a victory paean on a trumpet, as shown on coins. The prow is made of grey marble from Lartos.
The Winged Victory of Samothrace, side viewThe statue has been reassembled in stages since its original discovery in 1863. The prow was rediscovered by Champoiseau in 1879 and reconstructed in situ before being shipped to Paris. The right wing is a symmetric plaster version of the original left one. Various other fragments have since been found: in 1950 one of the statue's hands was found on Samothrace and is now in a glass case in the Louvre next to the podium on which the statue stands. Neither the arms nor the head have been found.
The statue shows a mastery of form and movement which has impressed critics and artists since its discovery - it is particularly admired for its naturalistic pose and rendering of the figure's draped garments, depicted as if rippling in a strong sea breeze. It soon became a cultural icon to which artists responded in many different ways. When Filippo Tommaso Mariti issued his Futurist Manifesto in 1908, he chose to contrast his movement with the supposedly defunct artistic sentiments of the Winged Victory: "A screaming automobile that seems to run on grapeshot is more beautiful than the Winged Victory of Samothrace."
The Victory is one of the Louvre's greatest treasures, and it is today displayed in the most dramatic fashion, at the head of the sweeping Daru staircase. The loss of the head and arms, while regrettable in a sense, is held by many to enhance the statue's depiction of the supernatural. The different finishing of the sides has led to think that it was intended to be seen from three-quarters on the left.
This statue was a favorite of Frank Lloyd Wright and he used reproductions of it in a number of his buildings, including Ward Willits House, Darwin D. Martin House and Storer House.
5.The "Aphrodite of Milos" otherwise known as the Venus de Milo is an ancient Greek statue and one of the most famous of the art of ancient Greek sculpture. It is believed to depict Aphrodite (called Venus by the Romans), the Greek goddess of love and beauty. It is a marble sculpture, slightly larger than life size at 203 cm (80 inches) high, but without its arms or its original plinth. From an inscription on its now-lost plinth, it is thought to be the work of Alexandros of Antioch; it was earlier mistakenly attributed to the master sculptor Praxiteles
13th to 15th century
The Madonna and Christ Child enthroned with angels, Cimabue (about 1270)
Saint Francis of Assisi receives the stigmata, Giotto (about 1290-1300)
Portrait of John II the Good, anonymous (about 1350). Acquired by Louis XV, part of the royal collection
The Virgin with Chancellor Rolin, Jan van Eyck (about 1435). Seized in the French Revolution (1796)
Portrait de Charles VII, Jean Fouquet (1445-1448). Bought in 1838
The Condottiero, Antonello da Messina (1475). Bought in 1865
St. Sebastian, Andrea Mantegna (1480)
Ship of Fools, Hieronymus Bosch (1490-1500)
Self-Portrait with flowers, Albrecht Dürer (1493). Bought in 1922
16th century
Mona Lisa, Leonardo da Vinci (1503-1506), acquired by Francis I in 1519
The Virgin and Child with St. Anne, Leonardo da Vinci (1508)
The Virgin and Child with Saint John the Baptist, called la Belle Jardinière, Raphael (1508). Belonged to the royal collection, acquired by Francis I
Portrait of Balthazar Castiglione, Raphael (about 1515), acquired by Louis XIV from the estate of Mazarin
The Wedding at Cana, Paolo Veronese (1562-1563). It hung 2.5 metres from the floor in the San Giio Maggiore monastery for 235 years, until it was plundered by Napoleon in 1797
17th century
Saint Joseph charpentier, Gees de la Tour (1642), donated in 1948
The club foot, Joseph de Ribera (1642), bequeathed in 1869
The pilgrims of Emmaus, Rembrandt (1648), seized in the French Revolution in 1793
Le young mendicant, Murillo (about 1650), bought by Louis XVI about 1782
Bathsheba at Her Bath, Rembrandt (1654, bequeathed in 1869
Ex Voto, Philippe de Champaigne (1662), seized in the French Revolution in 1793
The Lacemaker, Johannes Vermeer, (1669-1670), bought in 1870
Et in Arcadia ego, Nicolas Poussin (1637-1638)
18th century
Portrait of Louis XIV, Hyacinthe Rigaud (1701)
The Embarkation for Cythera, Antoine Watteau (1717)
La Raie, Jean-Baptiste-Siméon Chardin (before 1728)
Oath of the Horatii, Jacques-Louis David (1784)
Master Hare, Joshua Reynolds (1788-1789)
[
19th century
Bonaparte visitant les pestiférés de Jaffa, Antoine-Jean Gros (1804)
The Raft of the Medusa, Théodore Géricault (1819)
Liberty Leading the People, Eugène Delacroix (1830)
The Turkish bath, Ingres (1862)
en. *** /wiki/Louvre
答：别从卢浮宫的官网直接Down下来给我 解析: 里面著名的作品太多.只能详细介绍五个.其它就罗列一个表. 1.Mona Lisa, or La Gioconda (La Joconde), is a 16th-century oil painting on poplar wood by Leonardo da Vinci, and is, perhaps, the most famous painting in Western art history or even the w...
答：The Louvre Museum is the largest national museum of France. It is a central landmark of Paris, located on the Right Bank of the Seine in the 1st neighborhood. Nearly 35,000 objects from prehistory to the 19th century are exhibited over an area of 60,600 square meters.The muse...
答：卢浮宫藏品丰富,件件称得上是艺术珍宝,为历代帝王以及宫廷艺术家等所重视这些藏品分门别类,由专门的部门管理。卢浮宫内还有许多藏品目录和小册子,向游人作介绍。随着藏品的增多,其“领地”也不断扩张……。罗浮宫博物馆的收集被七个 curator 的部门管理。埃及的古物部在 1826 年被形成学习而且显示在埃及的拿破仑的活...
答：卢浮宫是于1546年弗郎西斯一世在位时开始修建的。 * subsequent：“随后的”、“后来的”等意思。 * monarch：“君主”、“帝王”。据法国建筑师Pierre Lescot的修建计划所载，Francis I以后的每一位法国君主都对卢浮宫进行了增建。 Under Henry IV, in the early 17th century, the Grand Galerrie,...
答：Louvre Louvre, (properly, Musée du Louvre), national art museum of France and the palace in which it is housed, located in Paris, on the right bank of the Seine River. The structure, until 1682 a residence of the kings of France, is one of the largest palaces in the ...
答：巴黎的景点介绍:1、埃菲尔铁塔:埃菲尔铁塔建于1889年,为了纪念法国大革命100周年。站在三楼,可以看到战神广场(le Champ de Mars)、 夏约宫(le Palais de Chaillot)、香榭丽舍大街(les Champs-Elysées)、凯旋门(l'Arc de triomphe)。2、卢浮宫位于塞纳河边,常年展出3.5万件藏品,被分为东方古物、埃及、希腊、伊...
答：巴黎的景点介绍:1、埃菲尔铁塔:埃菲尔铁塔建于1889年,为了纪念法国大革命100周年。站在三楼,可以看到战神广场(le Champ de Mars)、 夏约宫(le Palais de Chaillot)、香榭丽舍大街(les Champs-Elysées)、凯旋门(l'Arc de triomphe)。2、卢浮宫位于塞纳河边,常年展出3.5万件藏品,被分为东方古物、埃及、希腊、伊...
答：莫高窟英文介绍如下：Mogao Grottoes, commonly known as the Caves of a Thousand Buddhas, is known as the most valuable cultural discovery of the 20th century and the "Louvre of the East".It is located in Dunhuang at the west end of the Hexi Corridor and is famous for its ...
答：My favorite museum The Louvre Museum is my favorite museum. It is the world's oldest, largest and most famous museums. For me, There is no where like the Louvre. I like the old buildings of Louvre , built in the days of Louis XIV. The new ones were built in the period ...
答：卢浮宫博物馆是世界三大博物馆之一，其艺术藏品种类之丰富、艺术价值之高令人难以想象。The Louvre is one of the world's three largest museums. The wealth of its collections and their artistic values defy imagination.defy imagination （成语） 难以想象 这是地道的 希望帮到了你，满意敬请采纳...
