谁能帮忙翻译下这段成英文，《嘉莉妹妹》的剧情介绍，或者有类似的也行
kuaidi.ping-jia.net 作者：佚名 更新日期：2024-08-13
跪求英文高手帮我翻译这段关于《嘉莉妹妹》的文字~~~急用！谢绝翻译软件直译。
A country girl Carrie came to big cities Chicago looking for happiness, to get rid of poverty, sell their chastity, successively with salesman and hotel manager cohabitation, then by beauty with voice become a singer story. Author skillfully use of naturalistic creation technique, the person's behavior materialized for "chemistry" via a fruit, so it works with a strong social expression. Novel story really storyline is like this: Carrie is a charming rural girl, she envy metropolis of material life came to Chicago for a living. The harsh realities of the broken her dream, when she is unemployed and disease. In despair, she made a salesman he ella mistress, afterwards because greater desire and do the hotel manager Hess prismis mistress. With Hess prismis elopement, in New York by chance she became a popular actress, crowded boarded upper-class, fulfilled her fantasy. However, the so-called "upper-class life" and brought her? She felt empty, find true meaning of life, in the lonely and sad, she is sitting in the rocking-chair dream that eventually unavailable happiness
把中文打上来啊!
Dissatisfied with life in her rural Wisconsin home, 18 year-old Caroline "Sister Carrie" Meeber takes the train to Chicago, where her older sister Minnie, and her husband Sven Hanson, have agreed to take her in. On the train, Carrie meets Charles Drouet, a traveling salesman, who is attracted to her because of her simple beauty and unspoiled manner. They exchange contact information, but upon discovering the "steady round of toil" and somber atmosphere at her sister's flat, she writes to Drouet and discourages him from calling on her there.
Carrie soon embarks on a quest for work to pay rent to her sister and her husband, and takes a job running a machine in a shoe factory. Before long, however, she is shocked by the coarse manners of both the male and female factory workers, and the physical demands of the job, as well as the squalid factory conditions, begin to take their toll. She also senses Minnie and Sven's disapproval of her interest in Chicago's recreational opportunities, particularly the theatre. One day, after an illness that costs her job, she encounters Drouet on a downtown street. Once again taken by her beauty, and moved by her poverty, he encourages her to dine with him, where, over sirloin and asparagus, he persuades her to leave her sister and move in with him. To press his case, he slips Carrie two ten dollar bills, opening a vista of material possibilities to her. The next day, he rebuffs her feeble attempts to return the money, taking her shopping at a Chicago department store and securing a jacket she covets and some shoes. That night, she writes a good-bye note to Minnie and moves in with Drouet.
Drouet installs her in a much larger apartment, and their relationship intensifies as Minnie dreams about her sister's fall from innocence. She acquires a sophisticated wardrobe and, through his offhand comments about attractive women, sheds her provincial mannerisms, even as she struggles with the moral implications of being a kept woman. By the time Drouet introduces Carrie to George Hurstwood, the manager of Hannah and Hogg's - a respectable bar that Drouet describes as a "way-up, swell place" – her material appearance has improved considerably. Hurstwood, unhappy with and distant from his social-climbing wife and children, instantly becomes infatuated with Carrie’s youth and beauty, and before long they start an affair, communicating and meeting secretly in the expanding, anonymous city.
One night, Drouet casually agrees to find an actress to play a key role in an amateur theatrical presentation of Augustin Daly’s melodrama, “Under the Gaslight,” for his local chapter of the Elks. Upon returning home to Carrie, he encourages her to take the part of the heroine, Laura. Unknown to Drouet, Carrie long has harbored theatrical ambitions and has a natural aptitude for imitation and expressing pathos. The night of the production – which Hurstwood attends at Drouet’s invitation – both men are moved to even greater displays of affection by Carrie’s stunning performance.
The next day, the affair is uncovered: Drouet discovers he has been cuckolded, Carrie learns that Hurstwood is married, and Hurstwood’s wife, Julia, learns from an acquaintance that Hurstwood has been out driving with another woman and deliberately excluded her from the Elks theatre night. After a night of drinking, and despairing at his wife’s financial demands and Carrie’s rejection, Hurstwood stumbles upon a large amount of cash in the unlocked safe in Fitzgerald and Moy's offices. In a moment of poor judgment, he succumbs to the temptation to embezzle a large sum of money. Under the pretext of Drouet’s sudden illness, he lures Carrie onto a train and escapes with her to Canada. Once they arrive in Montreal, Hurstwood’s guilty conscience – and a private eye - induce him to return most of the stolen funds, but he realizes that he cannot return to Chicago. Hurstwood mollifies Carrie by agreeing to marry her, and the couple move to New York City.
In New York, Hurstwood and Carrie rent a flat where they live as George and Carrie Wheeler. Hurstwood buys a minority interest in a saloon and, at first, is able to provide Carrie with a satisfactory – if not lavish – standard of living. The couple grow distant, however, as Hurstwood abandons any pretense of fine manners toward Carrie, and she realizes that Hurstwood no longer is the suave, powerful manager of his Chicago days. Carrie’s dissatisfaction only increases when she meets Robert Ames, a bright young scholar from Indiana and her neighbor’s cousin, who introduces her to the idea that great art, rather than showy materialism, is worthy of admiration.
After only a few years, the saloon’s landlord sells the property and Hurstwood’s business partner expresses his intent to terminate the partnership. Too arrogant to accept most of the job opportunities available to him, Hurstwood soon discovers that his savings are running out and urges Carrie to economize, which she finds humiliating and distasteful. As Hurstwood lounges about, overwhelmed by apathy and foolishly gambling away most of his savings, Carrie turns to New York’s theatres for employment and becomes a chorus girl. Once again, her aptitude for theatre serves her well, and, as the rapidly aging Hurstwood declines into obscurity, Carrie begins to rise from chorus girl to small speaking roles, and establishes a friendship with another chorus girl, Lola Osborne, who begins to urge Carrie to move in with her. In a final attempt to prove himself useful, Hurstwood becomes a scab driving a Brooklyn streetcar during a streetcar operator’s strike. His ill-fated venture, which lasts only two days, prompts Carrie to leave him; in her farewell note, she encloses twenty dollars.
Hurstwood ultimately joins the homeless of New York, taking odd jobs, falling ill with pneumonia, and finally becoming a beggar. Reduced to standing in line for bread and charity, he commits suicide in a flophouse. Meanwhile, Carrie achieves stardom, but finds that money and fame do not satisfy her longings or bring her happiness and that nothing will.
基维百科上面关于《嘉莉妹妹》的简介，比你的这个要长，但是听听西方人怎么评价这部小说也无妨
翻译哪段？
推荐几本英文原著,提高英语阅读能力。不要太难,也不要太简单。大学生...
答：有的孩子看到这种题就头疼,英语这个科目从小学就开始学习,到了高中英语,很多的孩子都不知道学习的技巧,我现在就就拿高中英语的阅读理解板块讲一下. 老师讲课 1、不良的阅读习惯 用心翻译:你要记住就是你看一句就要用心去翻译一句,一个句子必须在中文翻译的帮助下被理解. 指点:阅读时,总是用手指或笔尖指着句子,...
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答：作品讲的是一个农村的姑娘，来到大城市寻找幸福，摆脱贫困，经历了许多波折，成为了一个演员的故事，揭露了当时的资本主义制度对贫苦人的压榨，是在1900年的时候发表的。
与嘉莉妹妹相关的读后感题目
答：《嘉莉妹妹》嘉莉妹妹的“美国式梦想”——看德莱赛笔下的悲喜人生《嘉莉妹妹》是美国著名现实主义作家西奥多·德莱赛的第一部小说,讲述了一个美国女孩只身来到大城市闯荡谋生的故事。这是德莱赛第一部反映“美国式梦想”,揭露美国资本主义社会腐蚀性和人性扭曲的长篇小说,其中每一个人物的刻画都具有那个时代下社会群众...
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答：当然,帮助不等于爱情,但爱情不能不包括帮助。 —— 鲁迅 48.爱别人, 也被别人爱, 这就是一切, 这就是宇宙的法则. 为了爱, 我们才存在. 有爱慰籍的...——《嘉莉妹妹》 绝对的美,尽管它可能是罪恶的,但是它有它的魔力,可以战胜道德上的成见和顾忌。 —— 《锁链》 卢梭: 最诚实的人所做的,充其量不过...
Carrie's desire for material is endless, from broke to wealth and status, she did not desire to rest. First arrived in Chicago, she is looking for a living to support themselves. But after indulging in the magnificent city, in shopping malls before the window, "she could not help but think that each one of her decorations are lovely, can make her appearance more beautiful." However, her low wages discouraged. To meet Drouet cohabitation with her inner desires, and soon learned of the rich lifestyle. She met her that once the rich life. But in Mrs. Hale's introduction, she met more celebrities, when she returned to her home, I feel, "They live only to provide general furniture in a dorm room just three small rooms." Desire is always growing in her mind again and again.
Sister Carrie is a character of a chaser of American dream, meticulously depicted by American novelist Theodore Dreiser. The story is about the cogitation and probe of the essence of life during Carrie's pursuit, which reflected the transcience of American society.
Novel depicts a country girl Carrie came to big cities Chicago looking for happiness, to get rid of poverty, sell their chastity, successively with salesman and hotel manager cohabitation, then by beauty with voice become a singer story. Author skillfully use of naturalistic creation technique, the person's behavior materialized for "chemistry" via a fruit, so it works with a strong social expression. Novel story really storyline is like this: Carrie is a charming rural girl, she envy metropolis of material life came to Chicago for a living. The harsh realities of the broken her dream, when she is unemployed and disease. In despair, she made a salesman he ella mistress, afterwards because greater desire and do the hotel manager Hess prismis mistress. With Hess prismis elopement, in New York by chance she became a popular actress, crowded boarded upper-class, fulfilled her fantasy. However, the so-called "upper-class life" and brought her? She felt empty, find true meaning of life, in the lonely and sad, she is sitting in the rocking-chair dream that eventually unavailable happinessA country girl Carrie came to big cities Chicago looking for happiness, to get rid of poverty, sell their chastity, successively with salesman and hotel manager cohabitation, then by beauty with voice become a singer story. Author skillfully use of naturalistic creation technique, the person's behavior materialized for "chemistry" via a fruit, so it works with a strong social expression. Novel story really storyline is like this: Carrie is a charming rural girl, she envy metropolis of material life came to Chicago for a living. The harsh realities of the broken her dream, when she is unemployed and disease. In despair, she made a salesman he ella mistress, afterwards because greater desire and do the hotel manager Hess prismis mistress. With Hess prismis elopement, in New York by chance she became a popular actress, crowded boarded upper-class, fulfilled her fantasy. However, the so-called "upper-class life" and brought her? She felt empty, find true meaning of life, in the lonely and sad, she is sitting in the rocking-chair dream that eventually unavailable happiness
把中文打上来啊!
Dissatisfied with life in her rural Wisconsin home, 18 year-old Caroline "Sister Carrie" Meeber takes the train to Chicago, where her older sister Minnie, and her husband Sven Hanson, have agreed to take her in. On the train, Carrie meets Charles Drouet, a traveling salesman, who is attracted to her because of her simple beauty and unspoiled manner. They exchange contact information, but upon discovering the "steady round of toil" and somber atmosphere at her sister's flat, she writes to Drouet and discourages him from calling on her there.
Carrie soon embarks on a quest for work to pay rent to her sister and her husband, and takes a job running a machine in a shoe factory. Before long, however, she is shocked by the coarse manners of both the male and female factory workers, and the physical demands of the job, as well as the squalid factory conditions, begin to take their toll. She also senses Minnie and Sven's disapproval of her interest in Chicago's recreational opportunities, particularly the theatre. One day, after an illness that costs her job, she encounters Drouet on a downtown street. Once again taken by her beauty, and moved by her poverty, he encourages her to dine with him, where, over sirloin and asparagus, he persuades her to leave her sister and move in with him. To press his case, he slips Carrie two ten dollar bills, opening a vista of material possibilities to her. The next day, he rebuffs her feeble attempts to return the money, taking her shopping at a Chicago department store and securing a jacket she covets and some shoes. That night, she writes a good-bye note to Minnie and moves in with Drouet.
Drouet installs her in a much larger apartment, and their relationship intensifies as Minnie dreams about her sister's fall from innocence. She acquires a sophisticated wardrobe and, through his offhand comments about attractive women, sheds her provincial mannerisms, even as she struggles with the moral implications of being a kept woman. By the time Drouet introduces Carrie to George Hurstwood, the manager of Hannah and Hogg's - a respectable bar that Drouet describes as a "way-up, swell place" – her material appearance has improved considerably. Hurstwood, unhappy with and distant from his social-climbing wife and children, instantly becomes infatuated with Carrie’s youth and beauty, and before long they start an affair, communicating and meeting secretly in the expanding, anonymous city.
One night, Drouet casually agrees to find an actress to play a key role in an amateur theatrical presentation of Augustin Daly’s melodrama, “Under the Gaslight,” for his local chapter of the Elks. Upon returning home to Carrie, he encourages her to take the part of the heroine, Laura. Unknown to Drouet, Carrie long has harbored theatrical ambitions and has a natural aptitude for imitation and expressing pathos. The night of the production – which Hurstwood attends at Drouet’s invitation – both men are moved to even greater displays of affection by Carrie’s stunning performance.
The next day, the affair is uncovered: Drouet discovers he has been cuckolded, Carrie learns that Hurstwood is married, and Hurstwood’s wife, Julia, learns from an acquaintance that Hurstwood has been out driving with another woman and deliberately excluded her from the Elks theatre night. After a night of drinking, and despairing at his wife’s financial demands and Carrie’s rejection, Hurstwood stumbles upon a large amount of cash in the unlocked safe in Fitzgerald and Moy's offices. In a moment of poor judgment, he succumbs to the temptation to embezzle a large sum of money. Under the pretext of Drouet’s sudden illness, he lures Carrie onto a train and escapes with her to Canada. Once they arrive in Montreal, Hurstwood’s guilty conscience – and a private eye - induce him to return most of the stolen funds, but he realizes that he cannot return to Chicago. Hurstwood mollifies Carrie by agreeing to marry her, and the couple move to New York City.
In New York, Hurstwood and Carrie rent a flat where they live as George and Carrie Wheeler. Hurstwood buys a minority interest in a saloon and, at first, is able to provide Carrie with a satisfactory – if not lavish – standard of living. The couple grow distant, however, as Hurstwood abandons any pretense of fine manners toward Carrie, and she realizes that Hurstwood no longer is the suave, powerful manager of his Chicago days. Carrie’s dissatisfaction only increases when she meets Robert Ames, a bright young scholar from Indiana and her neighbor’s cousin, who introduces her to the idea that great art, rather than showy materialism, is worthy of admiration.
After only a few years, the saloon’s landlord sells the property and Hurstwood’s business partner expresses his intent to terminate the partnership. Too arrogant to accept most of the job opportunities available to him, Hurstwood soon discovers that his savings are running out and urges Carrie to economize, which she finds humiliating and distasteful. As Hurstwood lounges about, overwhelmed by apathy and foolishly gambling away most of his savings, Carrie turns to New York’s theatres for employment and becomes a chorus girl. Once again, her aptitude for theatre serves her well, and, as the rapidly aging Hurstwood declines into obscurity, Carrie begins to rise from chorus girl to small speaking roles, and establishes a friendship with another chorus girl, Lola Osborne, who begins to urge Carrie to move in with her. In a final attempt to prove himself useful, Hurstwood becomes a scab driving a Brooklyn streetcar during a streetcar operator’s strike. His ill-fated venture, which lasts only two days, prompts Carrie to leave him; in her farewell note, she encloses twenty dollars.
Hurstwood ultimately joins the homeless of New York, taking odd jobs, falling ill with pneumonia, and finally becoming a beggar. Reduced to standing in line for bread and charity, he commits suicide in a flophouse. Meanwhile, Carrie achieves stardom, but finds that money and fame do not satisfy her longings or bring her happiness and that nothing will.
基维百科上面关于《嘉莉妹妹》的简介，比你的这个要长，但是听听西方人怎么评价这部小说也无妨
翻译哪段？
答：有的孩子看到这种题就头疼,英语这个科目从小学就开始学习,到了高中英语,很多的孩子都不知道学习的技巧,我现在就就拿高中英语的阅读理解板块讲一下. 老师讲课 1、不良的阅读习惯 用心翻译:你要记住就是你看一句就要用心去翻译一句,一个句子必须在中文翻译的帮助下被理解. 指点:阅读时,总是用手指或笔尖指着句子,...
答：在那里他偶然踏进一家糖果店想喝杯柠檬汁,适遇店主的女儿向他呼救,请他帮助抢救突然昏厥的弟弟。女郎的美貌和气质使他产生爱慕之心,只是由于匆匆离去,爱情种子未及萌芽便夭折了。这成了30年后创作《春潮》的基础。小说开始部分的情节与作者的经历几乎毫无二致。但不能说这是自传体小说,因为作者只是采用了自己经历...
答：作品讲的是一个农村的姑娘，来到大城市寻找幸福，摆脱贫困，经历了许多波折，成为了一个演员的故事，揭露了当时的资本主义制度对贫苦人的压榨，是在1900年的时候发表的。
答：《嘉莉妹妹》嘉莉妹妹的“美国式梦想”——看德莱赛笔下的悲喜人生《嘉莉妹妹》是美国著名现实主义作家西奥多·德莱赛的第一部小说,讲述了一个美国女孩只身来到大城市闯荡谋生的故事。这是德莱赛第一部反映“美国式梦想”,揭露美国资本主义社会腐蚀性和人性扭曲的长篇小说,其中每一个人物的刻画都具有那个时代下社会群众...
答：我去年论文写得这 不过我的是嘉莉妹妹和简爱的对比 话说你哪个学校英语专业的？咱别是同门写重了就不好了 我当时写嘉莉妹妹是这么个思路 从写作技巧看 是现实主义与自然主义的结合 你可以从原著中找出体现现实主义和自然主义的例子并加以分析 从人物性格看 原著中塑造的嘉莉妹妹是个贪恋都市繁华物质欲...
答：吕贝卡·罗曼-斯泰姆斯,1972年11月6日生于美国加利福尼亚，本名吕贝卡·罗曼，父母都是德裔。上中学时，吕贝卡因身材高大得到一个绰号：快活的金发巨人。中学毕业后，她进加州大学学音乐，但在1995年辍学。她回忆这段日子时说：“那时我很穷，整天在学校或是宿舍里无所事事。一个朋友推荐我去模特事务...
答：谁又在“本质上”更接近“现代”?A.新女性的旧生活:回到传统的美学“还原”首先是从人物的生活方式与生存价值的选择开始的,《长恨歌》的主人公表现了与林道静完全不同的人生选择——她们几乎是在共同的起点上,选择了“新”与“旧”两条完全对立的道路。简单地说,《长恨歌》的故事可以概括为“一位新女性的旧生活...
答：描写路易十三时代,三个剑客,波尔托斯、阿托斯和队拉密斯帮助主人公达达尼昂追求爱情与复仇的故事。小说...《嘉莉妹妹》 〔美〕西奥图·德莱塞 下载 (365K)《嘉莉妹妹》是美国著名小说家西奥多·德莱赛的力作,...这成了30年后创作《春潮》的基础。小说开始部分的情节与作者的经历几乎毫无二致。但不能说这是自传...
答：大战的残酷厮杀打破了人们关于工业社会带来无限光明的想象,发达国家用最新的科技手段互相残杀,这一点深深刺伤了许多有良知的人的心灵。从20世纪20年代开始,美国文学进入了“第二次繁荣”。1930年,诺贝尔文学奖第一次授予一位美国作家——辛克莱·刘易斯(1885～1951),他的代表作是1920年出版的《大街》。1936年和1938...
答：当然,帮助不等于爱情,但爱情不能不包括帮助。 —— 鲁迅 48.爱别人, 也被别人爱, 这就是一切, 这就是宇宙的法则. 为了爱, 我们才存在. 有爱慰籍的...——《嘉莉妹妹》 绝对的美,尽管它可能是罪恶的,但是它有它的魔力,可以战胜道德上的成见和顾忌。 —— 《锁链》 卢梭: 最诚实的人所做的,充其量不过...
